Even if their survival and culture are threatened, be it by the growing number of farms taking over the region, the increased cultivation of soy crops or, today, the Covid-19 pandemic, these artists keep on drawing.

He examines with us the changing reception in Brazil of a unclassifiable work, overflowing by its innovative nature the usual categorizations of photojournalism or ethnographic reportage, as a continued attempt to translate the inner worlds and singularity of its subjects.Chief chaman and international spokesperson of the Yanomami people Davi Kopenawa is our last guest for this episode part of a series of three podcasts. Protected by the government, they went on to deforest, plunder and slaughter on a land that till then was enjoying a self-sufficient life in harmony with fauna and flora. Discover the nivaklé and guaraní artists from the paraguayan Gran Chaco Men from these indigenous communities are generally employed as agricultural workers by large landowners.These communities are home to outstanding artists, discovered by the anthropologists Verena and Ursula Regehr, who supported and promoted them with local exhibitions. Claudia Andujar tells us about her life, her commitment, her hopes, and her fear.

Less known to the public eye than its neighbor the Amazon, the Paraguayan Gran Chaco forest has the highest deforestation rate in the world. sur twitter Erica Blume and I have started a new podcast that we are calling the Montreal Art Chat.In this first episode we discuss Leitmotifs which was at the Musée du costume et du textile du Québec, along with the Jon Rafman exhibit and David Altmejd’s Flux both of which were at the Musée d’art contemporain de Montréal. Thursday

Andjuar describes her escape from Nazi-occupied Europe during World War II and her immigration to Brazil, where she begins her career as a photographer.

sur instagram In ““How did a man who in the ’70s was often called the next Walt Disney end up as the Captain Ahab or Don Quixote of the animation world?” asks “Why does one guy’s stuffed shark sell for 12 million dollars, and another guy can’t sell his?” asks Text panels are often the last things created for an exhibition, but they’re essential to the way visitors orient themselves in a museum. A related visual aesthetic now seems to be emerging.Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today.

Jean-Philippe Domecq — 22 février 2017. He would become a prime witness of the disastrous consequences brought about by the opening of the Amazonian forest starting in the mid-1970s, which became prey to the trade interests of non-Indigenous people lured by the immense riches of the Yanomami land. Living within a Yanomami community, she captures their daily life and rapidly becomes involved in the the struggle for the demarcation of their territory.

MAGICAL ISA Single Channel Video Original Score: Dr. Adonis Gonzalez Full Length: 5 min 13 sec Year: 2015 Country of Production: Cuba In resonance with the Biennial of Lyon, imagespassages organizes the exhibition landscape in Annecy. ‘Defining Moments: Recession Art and Other Strategies’ Speaker Peter Cripps and respondent Channon Goodwin consider the relevance of ‘recession art’ today. sur deezer Head of the contemporary photography department at Instituto Moreira Salles in Brasil, Thyago Nogueira was in charge of the largest exhibition to date devoted to Claudia Andujar's work. Art contemporain ou « art du contemporain » ? Born in 1956, met Claudia Andujar as he was still young. Related exhibition: ©2020 Hyperallergic Media Inc. All Rights Reserved.“Our modern world owes a debt to the Bauhaus, and the Bauhaus owes a debt to Lucia Moholy, whether anyone knows her name or not.

The linguistic podcast Since about the 1970s, a new and largely post-vernacular Yiddish culture has started to develop in many, often unexpected, locales around the world.

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